CURRICULUM VITAE: DIN HEAGNEY
—2017, Master of Fine Arts by Research, Thesis: Bridging The Unseen in Art Writing, with Vislan and the Centre for Cultural Partnerships, VCA, University of Melbourne, Australia.
—1997, Bachelor of Arts (Journalism), RMIT University, Melbourne.
Grants & Awards
—2015-17, Australian Government Research Training Program Scholarship, University of Melbourne.
—2015, iC2 Vislan Pilot, with Geoff Munck & Phebe Parisia, public outcome of Vislan project development, Arts Projects, City of Melbourne.
—2011, Foreign Art Office, solo international research project, Skills & Arts Development, Australia Council for the Arts, Sydney.
—2010, Stranger Than Fiction, art fiction project, Arts Projects, City of Melbourne.
—2012-13, Consultant, Australia Council for the Arts, Sydney.
—2008-12, Board member, un Projects, Melbourne.
—2009-10, Selection Panel, Arts Development, Arts Victoria, Melbourne.
—2009, Advisory Panel, Art Censorship Guide, NAVA, Sydney.
—2008, Advisory Panel, Protocol on Artworks, City of Melbourne.
—2004-06, Editorial Committee member, un Magazine, un Projects, Melbourne.
Course Design & Implementation
Monash University, MADA Monash Art Design & Architecture – Master of Design
—2018-19, Tutor, Unit Coordinator, TAD5500 Exegesis
—2017-19, Tutor, Unit Coordinator, TAD4523 Design Research Methods.
RMIT University, School of Architecture & Urban Design – Bachelor of Interior Design (Honours)
—2017, Tutor, ARCH1289 Specialisation: Representing Space.
RMIT University, School of Design – Bachelor of Industrial Design (Honours)
—2014-18, Lecturer, GRAP1041 Design in Society: Masculinities
—2015-16, Coordinator, GRAP1040 Industrial Design Honours: Exposition
—2015, Design Studio, GRAP1034 The Herbarium, studio with Sophie Gaur
—2014, Design Studio, GRAP1034 Design as Narrative, studio with Simone LeAmon.
Tutoring & Supervision
Monash University, Monash Art, Design & Architecture – Bachelor of Design
—2017-18, Tutor, TDN2001 Sociologies of Design
—2017, Tutor, TAD2214 Critical Issues in Design.
University of Melbourne – Bachelor of Arts (general elective)
—2016, Assessor, CCDP20001 Street Art Studies.
RMIT University, School of Architecture & Design – Bachelor of Industrial Design (Honours)
—2016, Supervisor, GRAP2290 Industrial Design (Honours) Major Project.
RMIT University, School of Art – Bachelor of Fine Art (Honours)
—2007-09, Guest lecturer, VART3620 Professional Practice.
Academic Research Assistance
—2018-19, Research Assistant, art direction and copy editing for Dr Lily Hibberd (ed.), ARC DECRA, UNSW Sydney, Parragirls, (forthcoming, NewSouth Books), NSW.
—2016-18, Research Assistant and copy editing for Dr James Oliver (ed.), Associations: Creative Practice and Research, Melbourne University Press (MUP Academic), Carlton, Vic.
—2015, Research Assistant and copy editing for Dr Mick Douglas (ed.), Performing Mobilities – PSi#21 Fluid States, symposium publication, RMIT University, Melbourne.
Academic Editing & Design
—2018, Copy editor & workshops for staff at MADA, Monash Art Design & Architecture, Monash University, Caulfield, Vic.
—2016, Copy editor for Dr Steve Thomas, Freedom Stories: Reflexivity, collaboration & ethical documentary filmmaking, University of Melbourne, Parkville, Vic.
—2014, Copy editor for Dr Andrew Goodman, Parasitic Relations/Gathering Ecologies: Thinking beyond interactivity, Monash University, Caulfield.
—2015, Paper & walk, iC2 (VISLAN), with Geoff Munck, Performing Mobilities, RMIT Design Hub, Melbourne.
—2011, Paper & panel, ARIs: A History of Success?, We Are Here, NAVA & FirstDraft, Darlinghurst, NSW.
—2007–08, Workshop series, Artists in Practice, ABAF, Melbourne.
—2006, Workshop & panel, RunArtistRun, Artists' Week, Adelaide Festival of Arts, Adelaide, SA.
—2004, Paper & panel, Stencils of Urban Displacement, with Andy Mac and James Dodd, 5th Australian Print Symposium, National Gallery of Australia, Canberra, ACT.
Edited Books & Journals
—2016, Editor, with Allison Fogarty & Ewan McEoin, Melbourne Street Art Guide, Melbourne: Thames & Hudson Australia.
—2013, Managing Editor, Simryn Gill: Here art grows on trees, Catherine de Zegher (ed.), for the Australian Pavilion, 55th Biennale of Art Venice, Ghent: MER. P.K. and Sydney: Australia Council.
—2012, Guest Editor, Artlink: Experiment, Contemporary Art of Australia and the Asia Pacific, vol. 32 no. 3, Adelaide: Artlink.
—2012, Managing Editor, all our relations: 18th Biennale of Sydney, Gerald McMaster and Catherine de Zegher (eds.), Sydney: Biennale of Sydney.
—2010, Guest Editor, un Magazine, vol. 4 no. 1, with Brad Haylock, Melbourne: un Projects.
—2009, Editor, Portraits From a Land Without People: A Pictorial Anthology of Indigenous Australia 1847–2008, by John Ogden, Sydney: Cyclops Press.
—2007, Editor, Making Space: Artist Run Initiatives in Victoria, Melbourne: Victorian Initiatives of Artists Network.
—2000-01, Editor, Desktop: Australian Design | Digital Culture, with Glenn Moffatt, Keely Atkins & Gillian Bartlett, Melbourne: Niche Media.
Book & Catalogue Chapters
—2015, Writer, Designer Profiles in Rigg Design Prize 2015, Simone LeAmon (ed.), Melbourne: National Gallery of Victoria.
—2013, Writer, Secrets and Surfaces: Tanja and Ben Milbourne in Urban AU II: street/art/architecture, Stattbad, Berlin, Germany, Claudia Perren & Miriam Mlecek (eds.), Sydney: Carbon8.
—2013, Writer, Selby Ginn: Omnipresent Incarnate in Personal Structures: Culture, Mind, Becoming, Palazzo Bembo, 55th Venice Biennale of Art, Venice: Global Art Affairs Foundation. pp. 85–86.
—2010, Writer, Rise and Fall of Street Stencils in Space Invaders, Jaklyn Babington (ed.), NGA exhibition, October 2010 – February 2011, national tour in 2011. Canberra: National Gallery of Australia.
—2006, Editor & Writer, Art in the Melbourne Design Guide, Vivianne Stappmanns & Ewan McEoin (eds.), Melbourne: lab3000.
—2005, Writer, The Art of Nepotism in Selekta – The Real & The Unreal, Simon Maidment (ed.), Melbourne: West Space.
—2015-16, Writer, Contemporary Design & Architecture Dept & Gallery magazine, NGV, Melbourne.
—2012-14, Writer, Artlink, Adelaide, SA.
—2011, Blogger, Art21 Magazine, NYC, New York, USA.
—2011, Writer, Shanghai Expat, Shanghai, China.
—2010-11, Melbourne editor, The Art Life, Sydney.
—2005-07, Art & design writer, Pages Digital, Sydney.
—2002-12, Features, interviews, reviews, Inside, Monument and Nylon magazines, Australia.
—2001-05, Features, Desktop: Australian Design | Digital Culture, Niche, Melbourne.
* Full bibliography of published articles available on request.
Exhibition Essay Commissions
—2015, Nature Waits For No-one, Selected Works 2005–2015, Ash Keating, Benalla Art Gallery, Benalla, Vic.
—2015, Selected Video Works 2006–2014, Ash Keating, CACSA, Adelaide, SA.
—2014, Natural System Response, Ash Keating, Chalk Horse, Darlinghurst, NSW.
—2014, The Other Side, Kubota Fumikazu, Five Walls Projects, Footscray, Vic.
—2013, The Lies of Light, Pandarosa, Andrea Pedrini, Rachel de Joode, Ash Keating, Ry David Bradley, MADA Gallery, Monash University, Caulfield, Vic.
—2013, Painting The West Park Proposition, Ash Keating, Fehily Contemporary, Melbourne.
—2012, We're All In This Together, Carly Fischer, Helen Gory Galerie, Prahran, Vic.
—2011, Down To The Well, Simon O'Carrigan, Daine Singer, Melbourne.
—2010, Endgame, Christina Hayes, Anna Pappas Gallery, South Yarra, Vic.
—2004, SCAB, James Dodd, Kings ARI, Melbourne.
—2003, Continuum Sombrous, Pandarosa, Organic, Kongzilla, Moth & Abattoir, curated by Pandarosa, Gertrude Contemporary, Fitzroy, Vic.
—2017-18, Curator, Centenary 1918–2018, Institute of Patent and Trade Mark Attorneys of Australia, The Langham, Melbourne.
—2006-10, Co-Director with Anita King, Platform Artists Group Inc., operations, annual program, residencies and projects with Melbourne Fringe, Next Wave, Melbourne Fashion Festival.
—2009, Curator, Underground Gardens, Melbourne Food & Wine Festival, Platform, Melbourne
—2009, Curator, UQ, Midsumma Festival, Platform, Melbourne.
—2008, Curator, Artist-Run Initiatives in the City of Melbourne, with Phip Murray and Mark Feary, Art Melbourne, Royal Exhibition Building, Carlton, Vic.
—2005-07, Curator, BOX Art Space, Floate Design Partners, Melbourne.
Freelance Art Production
—2012-13, Fieldwork and research for Simryn Gill, Eyes and Storms, NSW, South Australia, Western Australia, and Tasmania, Australia.
—2004-05, Set design, various productions, Red Stitch Theatre, St Kilda, Vic.
—2004-05, Installer, various exhibitions, PB Gallery, Swinburne, Prahran, Vic.
—2003-05, Installer, invigilator & events for various exhibitions, ACCA, Melbourne.
—2017, Group exhibition, Waiting Room, with Ivana Kasic, First Site 21st Anniversary Exhibition, curated by Simon Pericich, First Site Gallery, Melbourne.
—2007, Installation, AUSTRALIEN, PB Gallery, Prahran, Vic.
—2004, Installation, Hardcore Foamcore, with Luke Warm & Amy Leeworthy, PB Gallery, Prahran, Vic.
—1997, Installation, White Room, RMIT First Site, Melbourne.
—2013, Poetry readings with mezzo soprano Anna Pangalou & curator Adonis Volanakis, Mykonos Biennale: Crisis and Paganism, Venieri Mansion, Mykonos, Greece.
—2011, Art fiction readings, The Things I Never Told You, supported by City of Melbourne Arts Projects, West Space, Melbourne.
—2000, Performance, ‘Lewis’ in Cosi by Louis Nowra, Directed by Camille Heagney, Northcote, Vic.
—1996, Performance, Phallocentury, with sculpture by Gigi Panapoulos, RMIT, Melbourne.
—1995, Performance, ‘Fred’ in Saved by Edward Bond, Directed by Lynne Ellis, Kaleide, RMIT, Melbourne.
Interviewed for stories on ABC Radio National: Artworks, ABC-TV Sunday Arts, SBS Radio, 3AW, Joy FM, 3RRR, The Age, Herald-Sun, Qantas and Virgin inflight magazines.